PBA Video Gallery
Linda Parris-Bailey Presents at the 2019 Creative Capital Artist Retreat
Yankee Bajan is the story of migration, expatriation, and immigration stimulated by the current state of the state in the United States. In many communities across America after the 2016 election, families of color are reviewing their options, particularly those who are first- and second-generation Americans. Read more: https://creative-capital.org/projects/yankee-bajan/ Video by Intrinsic Grey.
NET-TEN Shareback. Sandglass Theater - Parris-Bailey Arts - CBT Collaboration - Flushing
An interview with Eric Bass and Linda Parris-Bailey discussing their new collaborative work Flushing.
An interview with Eric Bass and Linda Parris-Bailey discussing the collaborative process for their new work Flushing, a collaborative theater piece fusing monologue, dialogue, puppets and song.
National Institute for Directing & Ensemble Creation - Pilot
NATIONAL INSTITUTE FOR DIRECTING & ENSEMBLE CREATION A Pangea World Theater & Art2Action collaboration This 14-minute video gives you an inside look at an 8-day intensive, peer-exchange convening of theater directors and ensemble leaders from around the U.S. and North America. It includes interviews with Dipankar Mukherjee (Pangea), Nobuko Miyamoto (Great Leap), Steve Sapp (UNIVERSES), Kamilah Forbes (Hip Hop Theater Festival), Dora Arreola (Mujeres en Ritual), Ed Bourgeois (Alaska Native Heritage Center), and much more!! The pilot intensive gathered a focus group of theater artists with the intent of visioning and participating in a curriculum development process to create a National Institute on Directing & Ensemble Creation... Stay tuned to Art2Action & Pangea World Theater for information on further convenings in 2015, and the public launch of the NATIONAL INSTITUTE FOR DIRECTING & ENSEMBLE CREATION in Summer 2016!! FILMED @ Pangea World Theater & Intermedia Arts Minneapolis, MN Pilot Intensive, December 2012 Organized & co-facilitated by Pangea World Theater & Art2Action Inc., with the generous support of the Doris Duke Charitable Foundation, the Nathan Cummings Foundation, the National Endowment for the Arts (NEA), and the McKnight Foundation. National partners included the National Performance Network (NPN), Alternate ROOTS, the Network of Ensemble Theaters (NET), the Consortium of Asian American Theaters & Artists (CAATA), the National Association of Latino Arts & Culture (NALAC), and Native Arts @ NEFA.
Speed Killed My Cousin - The Carpetbag Theatre
An original play with music, Speed Killed My Cousin is rooted in the story of an African American female combat soldier and her struggle with post-traumatic stress diagnosis upon her return home from Iraq. A third generation soldier, the central character courts death by vehicular suicide.
The Carpetbag Theatre, Inc.
Dark Cowgirls and Prairie Queens Sampler - The Carpetbag Theatre, Inc.
Thank you for watching this production sampler of Dark Cowgirls and Prairie Queens, an original work of Carpetbag Theatre, Inc.. This 2018 production at the University of Tennessee Carousel Theatre was made possible by the Roy Cockrum Foundation. ABOUT DARK COWGIRLS AND PRAIRIE QUEENS Dark Cowgirls and Prairie Queens is the story of a little known facet of American History. Filled with vivid images, captivating stories and harmonious song, “Cowgirls brings to life seven of the most colorful Black women to emerge from the American West. The play is an imaginative dramatization of the lives of Mary Fields (Black Mary), Biddy Mason (Grandma Mason), sculptress Edmonia Lewis (Little Wildfire), Mary Ellen Pleasant (Mammy Pleasant) of underground railroad fame, and Julia Boulette (fondly remembered as the Queen of Virginia City). This production is part of an original series that has been funded by the Roy Cockrum Foundation in celebration of our 50th Anniversary in 2019; a foundation which enables theaters to reach beyond their normal scope of activities and undertake ambitious and creative productions. This play has been presented in many venues throughout its 35 year history, including the New Victory Theater, a Broadway theater. It was featured at the closing of the Free Southern Theatre (1963 - 1985) in New Orleans, Louisiana and the beginning of the first National Black Theater Festival in Winston-Salem, North Carolina. Dark Cowgirls has roots at the Alternate ROOTS Festival in Atlanta, Georgia and its story still lives in communities from Mississippi to California, and from Massachusetts to Florida. It has been performed for women (at the Women in Theater Festival in Boston and the Foot of the Mountain in Minneapolis) and men (the Black Cowboys of Northern Alabama and Northern California). Dark Cowgirls owes its longevity to the many small stubborn sponsors who believed that it was important to tell stories of empowerment and to celebrate the forgotten lives of Black women. “The production is well written in conversational down-home language, and well acted in storytelling style...It’s as if a touring history pageant had come to the local school and the players turned out to be amazingly talented...The stomping dance to ‘Did You Feed My Cow?’ brings to mind the best aprts of ‘Bring In da Noise, Bring In da Funk.” - Anita Gaines, The New York Times ABOUT THE CARPETBAG THEATRE, INC. The Carpetbag Theatre, Inc. was founded in 1969 and chartered in 1970. We are a Knoxville-based professional, multi-generational ensemble company dedicated to the production of new works. We work in partnership with community artists, activists, cultural workers, storytellers, and leaders to create original, theatrical works. Our mission is to give artistic voice to the issues and dreams of people who have been silenced by racism, classism, sexism, ageism, homophobia and other forms of oppression. Our artistic vision is rooted in the practice of revealing, reframing, and reclaiming the hidden stories of our communities. We begin by listening deeply to the each other's narrative. We believe that this process is what reveals the beauty of our collective experiences. Listening to each other deeply creates space for us each to embrace the hardest parts of our stories while leaning into the freedom of healing in spite of them. We believe that this process also has the power to reframe our experiences and provide the kinds of healing it takes to release us from strongholds that have held us hostage over time.